Official HFF17 Stats: Bigger Than Ever


Purple wants to thank you for helping to make this our most successful year yet! // Photo: Matt Kamimura

This year’s numbers reflect a growth trend that has been in place since the festival began in 2010: 

  • The festival sold over 65,000 individual tickets (from 17,000 in 2010).
  • The festival sold an estimated $540,000 in tickets this year (from $50,000 in 2010, almost 1,000% growth).
  • In its eight year history, Hollywood Fringe has returned over $2.3 million to artists.
  • 375 productions participated in this year’s event (from 180 in 2010), mounting 2,064 performances at 51 spaces throughout central Hollywood and some West Hollywood locations.  
  • 1,802 artists and producers participated in this year’s Hollywood Fringe.

The central Fringe organization doesn’t retain any of the ticketing proceeds; all $540,000 have been returned to Fringe artists and venues.

Want to see Fringe continue? Please make a tax-deductible donation at

Give Fringe Your Feedback


How do YOU think #hff17 went? // The Opening Number at the 2017 Award Ceremony // Photo: Matt Kamimura

The 2017 Hollywood Fringe Festival is now over (official numbers to be announced next week!), which means it’s time for us to start planning for next year. We rely heavily on feedback from our community and humbly ask for you help evaluating how we did during this festival.

First, please take a few minutes to fill out our HFF17 Survey, which you can find at

Second, please attend our Post-Fringe Town Hall, which will be happening Monday, July 24th at Sacred Fools from 8-10pm. Festival Director Ben Hill will moderate a discussion about how we can work together to further build, strengthen and improve our community. Reserve a seat by visiting the link above. 

Embracing the Fringe: Resigning Publicity Manager Brittany Gash's Farewell to HFF


Thank you for all your work over the past two years, Brittany! We'll miss you! // Brittany (far right) with Fringe Friends at Space Prom // Photo: Matt Kamimura

Embracing the Fringe

I have never been the cool kid or the popular one – the girl that everyone wants to be like and hang out with.  Don’t get me wrong. I’m super rad awesome (do people say “rad” anymore?) – but in a geeky, loner, chicken wings and beer kind of way.


Google says that Fringe means “not part of the mainstream; unconventional, peripheral, or extreme.”  That’s pretty much me – minus the extreme. I’m not extreme at all.  


The noun form of Fringe means “an ornamental border of threads left loose or formed into tassels or twists, used to edge clothing or material.” Yeah, that’s me too; a frayed edge; dangling decoration, hanging out on the borders of all that is mainstream and #basic. I like that.  


I know now, that I am Fringe and that you – the one reading this, is also Fringe. Fringe is a state of being – of existing.  Fringe is determination, passion, and hard-work. Just look at the amazing staff, interns and volunteers that put on the Hollywood Fringe Festival.  These amazing people – my friends – constantly put in 110% to make this festival happen. And they do this because they believe in it’s importance.  They believe in its ability to positively impact the community and artists and local businesses.  They come up with radical programs and strategies and welcome diverse voices and faces to the table.  

This is what Fringe is.  Fringe is acceptance and love; friendship and commitments and most importantly – it welcomes the unconventional, peripheral, and extreme. It embraces the differences and then gives it a platform to show itself to the world.  


As I wrap up my two years of being the Publicity Manager of the Hollywood Fringe Festival and pass this honor to someone new – I want to express my sincerest gratitude to all of my dear Hollywood Fringers – staff, interns, producers, actors, writers, designers, and spectators.  Thank you for teaching me so much and allowing me to make the mistakes that I’ve learned from. Thank you for so much support and encouragement. Thank you for all the hugs and the laughs. Thank you for sharing your profound and inspiring art with me.  Thank you for giving me a home away from home – a place to roll around in my awkward geekiness and feel safe. I am so proud to have been on the Hollywood Fringe staff and look forward to continuing to being part of the Fringe community.  


Cheers to all you frayed edges, dangling on the borders and making the world a better and more beautiful place.


Peace and Blessings,

Brittany G.

Co-Founder Kan Mattoo Leaves HFF Staff to Take New Position on Board of Directors


Kan Mattoo, pictured far left in his cool sushi shirt, has been an essential part of the development of Hollywood Fringe and we will miss him being on staff! // HFF17 Opening Night Party // Photo: Matt Kamimura

…And the lights have come down on our 8th Hollywood Fringe Festival.  

It has been such an amazing journey to see this festival grow into the force of nature it has become in Los Angeles.  Every June, for the past 8 years, thousands of artists have performed for tens of thousands of audience members.  We had incredible, record setting numbers this year (exact audience numbers to be revealed soon) and we are growing every year.  375 shows! 2000 performances! Over $2 million back to participants since our inception in 2010!

Those are amazing numbers.  I love those numbers!  And I am proud of them.

But what I can’t quantify is the way it feels to walk into Fringe Central and see this unbelievable community we’ve helped build. To see the camaraderie, the enthusiasm, new friendships, old ones, deep conversations, laughter…  Our Fringe community is about more than numbers.  It’s about support, collaboration, friendship.  I think I’m most proud of that.

This will be my last year as a member of the Hollywood Fringe staff. Don’t worry!  I’m not done with the festival completely —  but I will be taking a step back from activities day to day.  At the end of this year, I’m excited to be moving into more of a leadership role, on the festival’s Board of Directors.

Thirty years from now, when June rolls around, I want to be able to walk into Fringe Central, saddle up to the bar, look around, and still see our incredible Fringe community thriving and celebrating.  And I’m going to do everything I can to ensure that future happens.

There are too many people to thank for their support over the years.  But this festival wouldn’t happen without the shared vision that Ben, David, Stacy and I had over 10 years ago.  And we couldn’t have done it year to year without the hard work of Meghan, Lois, Stina, Vanessa, Bella & the rest of the amazing staff who put their everything into the festival.

I love this festival and I love the family that I’ve found within it.   Thank you, everyone.

A Fond Farewell to Fringe from Beloved Outreach Director Meghan McCauley


We will dearly miss Meghan, who has been on staff since just after the first festival in 2010. // Photo: Katelyn Schiller

The first nickname I ever had at Fringe Central was “Pagan Meghan”. I’d driven up from San Diego to produce a show with my best friends, an original devised work called Pagan Play that made little sense but was full of heart. I was lucky the moniker rhymed, because it made it easier for people to remember my name.

The Hollywood Fringe Festival happened to me very quickly. I met Ben Hill after a Town Hall at Theatre of Note. I met Stacy Jones (now Hill) onstage in the back room at Three Clubs, during a pre-Fringe fundraiser. We both loved dancing to Beyoncé. I had graduated from UCSD, with a degree in theatre and a desire to find a good community filled with good people. Los Angeles was not on the list of cities I’d hoped to move to, but I did it because of the Hollywood Fringe Festival. Kan Mattoo interviewed me on the porch of Ben and Stacy’s old house, cans of beer in hand. Dave McKeever was there too, tossing the ball for Cattleman the dog.

The rest is history. We became family. We lost loved ones and fell in love again. We hung up Christmas decorations, ate thousands of food truck meals, made theater, drank too much, and never stopped dancing to Beyoncé.

I’ve been fortunate to create and launch some of Hollywood Fringe’s most important programs—I was a co-founder of the internship program (now expertly managed by Stina Pederson), brought Fringe theater to local high schools through Student Fringe, and developed Fringe Scholarships with Ellen Den Herder, the initiative of which I am most proud. I’ve hosted hundreds of Office Hours and moderated dozens of Fringe Workshops. The Fringe community thrives when participation is enthusiastic and diverse, and much of my responsibility is keeping it that way.

Thank you all for buying me drinks, and I’m sorry I couldn’t always come to see your show. Thank you for raising your hands to ask questions, and I’m sorry I often cut you off before you finished your sentence.

Thank you for wearing a name tag every time I asked you to.

Thank you for winking at me across Bryan’s Bar, for dancing with me at the prom, for protecting me when I couldn’t do it myself.  

Thank you for creating this community of weirdos where we can all finally be at home.

Thank you for trusting me, and trusting us, with your stories and your art.

My greatest calling in life is engaging diverse communities of people for the arts, and the Hollywood Fringe was the first place I started learning that.

It’s where I learned to lead, to love, to subsist on so very little sleep, and to dedicate myself to a truly worthy cause. You are the great love of my twenties, Hollywood Fringe, and I will miss you dearly. 

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